The jade ware of the Ming Dynasty has a basic feature, which is commonly known as the "bright and thick". This big and thick, not referring to rough, but refers to the process of rate, processing without detail. It is generally believed that the Ming Dynasty jade inherited the characteristics of the Song and Yuan Dynasties, the shape is rough, mostly on the subject of daily life, the carcass is thicker, the eagle carving is widely used, and the plane is carved in two layers of flowers, commonly known as “flower embossingâ€. The decorative lines are strong and neat, with sharp edges and corners. The development of jade crafts in the Ming Dynasty experienced three periods of early, middle and late. Early Ming Dynasty: The jade unearthed and handed down in the early Ming Dynasty have masterpieces, and the style inherits the Yuan Dynasty, which is rigorous and exquisite. In the early 1970s, Zhuhai Tomb (1389) in Zoucheng, Shandong Province unearthed jade articles such as enamel ornaments, jade belts, jade, jade, jade, jade, jade cups, etc., showing the situation of the princes of the Ming dynasty and the jade used for funeral. The jade material used in this type of jade has a strong luster, the mill is sturdy, the miller is fine, and the details are not heavy, which clearly preserves the legacy of the Yuan Dynasty jade. Strictly speaking, the jade wares of the early Ming Dynasty did not have their own style. Many excavated jade strips should be classified into the Yuan Dynasty, or the jade that was originally left in the Yuan Dynasty. In the middle of the Ming Dynasty: the jade in the middle of the Ming Dynasty tends to be simple, inheriting the prosperity of the literati culture in the late Yuan Dynasty and the early Ming Dynasty, and there are jade ornaments with literati colors, such as the jade and pine stalks. In the middle of the Ming Dynasty, processing and distribution were concentrated in Nanjing, Shanghai, and Jiangxi. Late Ming Dynasty: Before the late Ming Dynasty, the city was prosperous, the people were rich, and the output of jade was increased. At that time, the Suzhou jade industry represented the development trend of the national jade crafts. The famous jade worker Lu Zigang came from Suzhou. At that time, ancient jade has become an antique (or antique), a special commodity with high prices. In order to obtain high profits, merchants have made a large number of fake antiques with cheap jade and jade materials such as jade. At the same time, the number of jade articles has soared, the art is rough, the precision is less, and some are combined with the gold and silver gemstone inlaying process. In the late Ming Dynasty, the auspicious homophonic theme is popular. This kind of "picture must be intentional, meaning must be auspicious" pattern, its function is first to pray, followed by craft. Ming Dynasty jade processing can sum up such a few: 1. Ming Dynasty valley nail pattern, mostly with tube drill sleeves, the valley nails are larger and horizontal, and there are obvious sets of marks around. 2. The ear of the animal shape is often concave with a cone drill, and it is rare to have a straight tube. The spine is fine and uneven. 3. The Yin line is wide and deep, the edges are sharp, the scars on the trough are obvious, and the lines appear, and the sputum appears everywhere. 4 The bottom of the processing is unclear, not complete, commonly known as "hemp." 5 Ming Dynasty decorative lines are mainly wide and deep Yinxian, the section is "V"-shaped, parabolic, with peaks at the beginning and the end. 6. The jade material of the Ming Dynasty jade is mainly made of Hetian jade with delicate texture and warm texture.
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